The Pakistani entertainment industry, while a powerhouse of cultural export and economic growth, masks a deeply entrenched system of exploitation against women.
One of the most visible forms of exploitation is the narrative content itself. Pakistani television dramas, which dominate South Asian airwaves, have increasingly shifted toward misogyny for ratings. Plotlines frequently center on the damsel in distress archetype, where women are expected to endure domestic violence, verbal abuse, and betrayal with silent patience.
By romanticizing toxic behaviors—such as heroines falling for their kidnappers or abusers—the industry exploits the female image to cater to patriarchal sensibilities. This creates a feedback loop: production houses prioritize these tragic roles because they are profitable, forcing talented actresses to choose between professional unemployment or portraying characters that reinforce their own social subjugation.
Beyond the screen, the industry’s lack of formal structure makes it a breeding ground for harassment. High-profile cases, such as those highlighted during the #MeToo movement, have exposed a culture where powerful men exert gatekeeping control over women’s careers.
The absence of robust Human Resource (HR) departments in production houses means that most women have no formal channel to report abuse.
Economic exploitation also remains rampant.
The exploitation of women in the Pakistani entertainment industry is not just an internal professional issue; it is a reflection of broader societal inequalities.